Where a lightweight Fresnel spotlight using daylight characteristics with compact size and high efficiency are needed, ARRI Compact Daylight Fresnels are the preferred choice.
ARRISUN HMI PARs are the workhorses of location lighting whenever punch or bounce light is required on set. The precise interaction of lamp, reflector and converter (spread) lens was designed with computer simulation.
Like all members of the M-Series, the M40/25 unifies the advantages of a PAR light and a Fresnel fixture. Due to the unique lens-less Max Technology, the unit is open face and thus very bright, but also focusable over a range of 18-52° HPA, casting a crisp shadow.
ARRISUN HMI PARs are the workhorses of location lighting whenever punch or bounce light is required on set. The precise interaction of lamp, reflector and converter (spread) lens was designed with computer simulation
Where a lightweight Fresnel spotlight using daylight characteristics with compact size and high efficiency are needed, ARRI Compact Daylight Fresnels are the preferred choice.
ARRISUN HMI PARs are the workhorses of location lighting whenever punch or bounce light is required on set. The precise interaction of lamp, reflector and converter (spread) lens was designed with computer simulation.
The Daylight range of studio Fresnels using Double-Ended HMI daylight lamps have been the mainstay of the film industry for many years. Arri HMI Spotlights have the largest lenses in their class and extremely even light distribution.
When fitted with an 18K HMI bulb (available separately), this HMI Fresnel will turn night into day with 1446 foot candles 13 feet in diameter, from a distance of 66 feet at full spot. It will throw 167 foot candles 101 feet in diameter from the same distance, at full flood.
This ARRI 1K is part of the True Blue Series of tungsten Fresnel lighting fixtures that represents a major update of this well-known industry standard. Feedback from respected lighting professionals combined with advances in technology enable Arri to present a selection of Fresnels with over 30 new improvements for studio and location lighting.
Reduced weight, compact size and maximum light output are the most obvious improvements. Arri's patented cross-cooling system, which encourages a stream of air to pass around the Fresnel lens and into the lamphead from the front, has reduced the lamp housing temperature of True Blue units by 25% and the lens temperature by 17%.
The Mole Richardson 5,000 watt Senior Solarspot Tungsten Fresnel fixture has a circular channel construction for added strength and more efficient airflow, resulting in cooler operation.When using an optional DPY 5K bulb, this fixture will throw a beam of light of 219 footcandles 26 feet in diameter from 20 feet away at full flood. It will throw a beam of 1453 footcandles 3 feet in diameter from 20 feet away.
The Arri 650 Watt Plus Fresnel features smooth focusing, and a bright, even beam. The beam angle in the flood position is 52°, and a narrow 14.5° in the spot position. This light is available individually or in portable kits.
This fixture is equipped for 120 Volt AC operation. It will also function with 220-240 AC Voltage, with the appropriate bulb and plug adapter, available separately.
This 10,000 watts quartz tungsten-halogen Focusing Fresnel has a compact and lightweight aluminum housing with high performance. Its 14" fresnel condenser is mounted in front-opening door.
The Arri 150 Watt Fresnel is a compact light source with location-tough construction and a 2" (50 mm) Fresnel lens. Superior optical performance and Arri's cast and extruded aluminum housing make this the perfect small Fresnel.This fixture is equipped for 120VAC operation. It will also function with 230VAC provided that the 120V lamp carriage is replaced by a 230V carriage and the plug is adapted to your socket configuration.
Like all members of the M-Series, the M40/25 unifies the advantages of a PAR light and a Fresnel fixture. Due to the unique lens-less Max Technology, the unit is open face and thus very bright, but also focusable over a range of 18-52° HPA, casting a crisp shadow.
Kino Flo’s award winning 4ft 4Bank portable lighting system is reintroduced with a new design. With new universal voltage from 100VAC to 240VAC, the 4Bank can be used anywhere in the world. New features include new graphics, new color coded connectors and new power switches. The lighter weight 4Bank ballast has the same classic features: individual light control, HO/Standard switching and the same high quality standards: flicker-free, instant-on, dead quiet operation. Color temperature doesn’t shift when light levels change. With its new and classic features, the popular 4Bank remains to be a favorite tool among lighting professionals in the studio or on location.
In all, 5 lights are included: three 150W DLHM4-300E focusing spotlights with an incredible 20:1 spot-to flood ratio and an on-board dimming power supplies and two 150W Softlight Heads which are perfect for the included soft boxes. Although using long life 150W bulbs, the advanced reflectors and Aspheric lens design consistently allow the Dedos to perform like competitor's lights that are almost 3x the wattage.
The Dedolight DLH1x150 Soft Light Head is a benchmark technical expression of evenness of illumination in a lamp head. Intended for use in Dedo soft boxes up to medium size (12 x 12" is included in this kit) the 150W, vertically burning lamp produces output that exceeds its nominal rating, while filling the soft box edge-to-edge without hot spots.
The 360 Bi-Color LED Lighty is a compact, light source with local dimming from 0-100%, a 60-degree flood beam angle and variable color balance from 3,200K tungsten to 5,600K daylight. Variable color means that instead of taping on filters you can create dial in a neutral color rendering at the daylight setting or a warmer color tone similar to indoor fixtures that provides a late afternoon effect. And the color adjustments are continuous, meaning that you can dial in any light balance in between. An offset diffuser is provided to soften the light's output.
The great benefit of using the 4FT LED tubes instead of traditional fluorescent lamps is the expected lifetime of 50'000 h instead of 2000 h (25 times higher) which translates to significant savings . Just multiply 25 lamp changes with the cost of a single fluorescent lamp and the price difference will be noticeable.
Also, the LED tubes are significantly less fragile than the fluorescent lamps due to their unique construction: aluminum shell with "milk" (very soft) diffusion cover. This type of housing has the advantage of maintaining the same light characteristics as the fluorescent tubes. Above all, the 4FT LED tube has both 3200K and 5600K LEDs in one housing that can be switched and combined by a single push of a button, eliminating the elaborated process of re-Lamping the fixture to change the color temperature.
LED Fresnel spotlight is suitable for indoor & outdoor video shooting and Photography, especially for film shooting.